The room served largely as a waiting room, the antechamber to various halls. The decoration dates from the 16th century, during the period of Doge Girolamo Priùli, who appears in Tintoretto’s ceiling painting with the symbols of his office, accompanied by allegories of Justice and Peace. The four corner scenes, probably by Tintoretto’s workshop, comprise biblical stories – perhaps an allusion to the virtues of the Doge – and allegories of the four seasons. The celebratory decor of the room was completed by four paintings of mythological scenes, which now hang in the antechamber to the Hall of the Full Council. Their place here has been taken by Girolamo Bassano’s The Angel appearing to the Shepherds and other biblical scenes that are, with reservations, attributed to Veronese.
